Friday, May 30, 2014

Playlist of May 29, 2014




Playlist of May 29, 2014

Milton Nascimento: “O Vendedor de Sonhos”
Paco de Lucia, Al Di Meola and John McLaughlin: “Manhã de Carnaval”
Rosa Passos: “Esmeraldas”
Milton Nascimento: “Cidade Encantada”
Grupo Ponto de Partida: “Canto de Um Povo”
Rosa Passos: “Lá Vem a Baiana”
Milton Nascimento: “Morro Velho”
Grupo Ponto de Partida: “Raio de Sol”
Rosa Passos: “Saudade da Bahia”
Vinicius de Moraes and Toquinho: “Como Dizia o Poeta”
Gustavo Carvalho: “Dissipando Nuvens”
Vinicius de Moraes and Toquinho: “Nature Boy”
Nana Caymmi: “Voz e Suor”
Gustavo Carvalho: “Universo Paralelo”
Vinicius de Moraes and Toquinho: “Dora”
Nana Caymmi: “Velho Piano”
Vinicius de Moraes and Toquinho: “Januária”
Cristina Branco: “Soneto da Separação”
Carcoarco: “Apanhei-te Cavaquinho”
Cristina Branco: “Meu Amor”
Carcoarco: “Segura Ele”
Cristina Branco: “Soneto Destruído”
Zizi Possi: “Volver a Los 17”
Carcoarco: “Madrugada”
Zizi Possi: “Pedaço de Mim”
MPB4: “Três Apitos/Para que Mentir”
Ney Matogrosso: “Teu Retrato”
MPB4: “Me Deixa em Paz / A Fonte Secou / Mora na Filosofia / Eu Quero Essa Mulher”
Zizi Possi: “Beatriz”
Rodrigo Lessa: “Tiziu Pirado”
Zeca Baleiro and Vanessa Bumagny: “I’m Nobody”
Rodrigo Lessa: “Pimenta na Pupila”
Ney Matogrosso: “Adeus, Batucada”
Amaranto: “Dançapé”
Zeca Baleiro: “Tevê”
Choro Ensemble: “Nostalgia”
Amaranto: “Flor de Cau”
Choro Ensemble: “Curinga”
Zeca Baleiro: “Débora”
Marilene de Castro: “Abre Caminho”

Saturday, May 10, 2014

May 8, 2014 Playlist


Gustavo Carvalho: A Brazilliance Special

Playlist

Antonio Carlos Jobim: “Brazil”
Bebel Gilberto: “So Nice”
Ivan Lins: “Joana dos Barcos”
Joyce: “Clareana”
Wanda Sá and Célia Vaz: “Água de Beber”
Joyce: “Triste”
Zélia Duncan: “Não Vá Inda”
Milton Nascimento: “Travessia”
Joyce: Aos Pés da Cruz”
Gilberto Gil: “Febril”
Joyce: “Feminina”
Gal Costa and Caetano Veloso: “Sorte”
Paula Toller: “Cantar”
Gustavo Carvalho: “Bagageira”
Caetano Veloso: “Samba em Paz”
Gustavo Carvalho and Milton Nascimento: “Luamar”
Gustavo Carvalho: “Prazer de Tocar”
Gustavo Carvalho: “On”
Gustavo Carvalho: “Carta”
Gustavo Carvalho: “Ânima”
Gustavo Carvalho: “Desejos”
Jorge Drexler: “For a da Ordem”
Gustavo Carvalho: “Dissipando Nuvens”
Ana Moura: “Janelas Abertas No. 2”
Gustavo Carvalho: “Universo Paralelo”
Luisa Maita: “Trilhos Urbanos”
Gustavo Carvalho: “Ninar Inah Mamaluri”
Gustavo Carvalho: “Fred Astaire”
Lenine: “Samba e Leveza”
Miguel Poveda: “Força Estranha”
Cesária Évora: “Embarcação”
Gustavo Carvalho: “Liso dos Sertões”
Cesária Évora: “Angola”
Gustavo Carvalho and Ivan Vilela: “Violela”

Gustavo Carvalho and Milton Nascimento: “Rainha do Mar”    

Monday, May 5, 2014

Brazilliance Playlist of May 1st, 2014


Mallu Magalhães

Brazilliance Playlist of May 1st, 2014

Mallu Magalhães: “Lonely”
Trio Mocotó: “Beleza, Beleza, Beleza”
Eli Joory: “Ponte Aérea”
Mallu Magalhães: “Velha e Louca”
Eli Joory: “Pipoca”
Gilberto Gil: “Bat Macumba”
Eli Joory: “Quebra-Molas”
Mallu Magalhães: “Sambinha Bão”
Jorge Ben: “Take it to My Brother Charles”
Eli Joory: “Na Lapa”
Sérgio Mendes: “Mas que Nada”
Eli Joory: “Domingo em Cascadura”
Joyce and Elza Soares: “Samba de Silva”
Paulinho da Viola: Para um Amor no Recife”
Arranco de Varsóvia: “Força da Imaginação”
Marcos Valle: “Crickets Sing for Ana Maria”
Arranco de Varsóvia: “Vou Botar Teu Nome na Macumba”
Paulinho da Viola: Não Quero Amara Mais a Ninguém”
Monica Vasconcelos: “Bananeira”
Arranco de Varsóvia: “E o Que Importa, Se Tiro o Domingo pra Sambar?”
Caetano Veloso: “O Leãozinho”
Arranco de Varsóvia: “Não Quero Mais”
Stewart Sukuma and Elizah: “Wulombe”
Paulinho da Viola: “No Pagode do Vavá”
Seu Jorge: “Carolina”
Torquato Mariano: “Dindi”
Stewart Sukuma, Roger Moreira and Sheila Jesuíta: “Ginani”
Ana Larousse: “Vai Menina”
Torquato Mariano: “África”
Verônica Sabino: “Peito Vazio”
Ana Larousse: “A Desenhista”
Torquato Mariano: “Open Way”

Friday, May 2, 2014

Wellesley College: Bibliography, Links and Outline of Borim's Lecture on May 1, 2014




Waves of Brazilian Music and the United States:
Carmen Miranda, Bossa Nova and Beyond

Dário Borim
University of Massachusetts Dartmouth 


Waves: An Outline



Carmen Miranda Becomes the Brazilian Bombshell in 1939

Walt Disney’s Donald Duck and Joe Carioca Send the Message to Down South in The Three Caballeros and Saludos, Amigos

Laurindo Almeida Settles in California in 1947

Black Orpheus Introduces Bossa Nova

Jazz Stars Visit Brazil and Bossa Nova Conquers the U.S. Music Scene

Sérgio Mendes and Brasil 66 Adds Spice to the Waning Bossa Craze

Airto Moreira, Flora Purim, Paulo Braga, and Naná Vasconcelos Brazilianize the 1970s Hot Jazz Fusion Scene

Talking Heads David Byrne’s Releases Beleza Tropical in 1989

Lambada’s Short-Lived Dirty Dancing Craze in 1989-1991

In 1999, 30 Years Past their Heyday, Tropicália and the Band Os Mutantes Are Discovered in the U.S.


It’s Women Singer-Songwriters Marisa Monte, Céu and Luisa Maita


Regular or Recurrent Events that Sustain the Waves Across the U.S.

a)      Los Angeles-based Sergio Mielniczenko’s radio and internet programs, The Brazilian Hour and The Global Village (more than 35 years on air)
b)      University of Florida Gainesville’s Brazilian Music Institute and Jacaré Brazil projects
c)      Brazilian classical and choro teachings at Berklee School of Music
d)      Outstanding presence of local and visiting Brazilian artists in world music concerts offered in various cities, mainly the Boston, Chicago, Los Angeles, Miami, and New York metropolitan areas


YouTube Clips


Carmen Miranda on That Night in Rio (1941): “Chica Chica Boom”

Laurindo Almeida and the Modern Jazz Quartet: “One-Note Samba”

Laurindo Almeida: “Claire de Lune” (Claude Debussy by the Beat of Samba)

Frank Sinatra and Antonio Carlos Jobim (1967):  “Corcovado”

Sérgio Mendes (1966): “Mas Que Nada”

Rita Lee, Caetano Veloso, Gilberto Gil & Tom Zé (1999): “Bat Macumba”

Marisa Monte & David Byrne: “Waters of March”



Five of the Most Informative and Influential Books
Published in the U.S. on Brazilian Music


Dunn, Christopher. Brutality Garden: Tropicália and the Emergence of a Brazilian Counterculture. Chapel Hill, NC: U. of North Carolina P., 2001.

McCann, Bryan. Hello, Hello Brazil: Popular Music in the Making of Modern Brazil. Durham, NC: Duke U. P., 2004.

McGowan, Chris, and Ricardo Pessanha. The Brazilian Sound: Samba, Bossa Nova and the Popular Music of Brazil. Philadelphia: Temple U.P., 2009.

Perrone, Charles. Masters of Contemporary Brazilian Song: MPB, 1965-1985. Austin: U. of Texas P., 2014.

Vianna, Hermano. The Mystery of Samba: Popular Music and National Identity in Brazil. Chapel Hill, NC: U. of North Carolina P.,1997.