Waves
of Brazilian Music and the United States:
Carmen
Miranda, Bossa Nova and Beyond
Dário
Borim
University
of Massachusetts Dartmouth
Waves: An Outline
Waves: An Outline
Carmen
Miranda Becomes the Brazilian Bombshell in 1939
Walt
Disney’s Donald Duck and Joe Carioca Send the Message to Down South in The Three Caballeros and Saludos, Amigos
Laurindo
Almeida Settles in California in 1947
Black Orpheus
Introduces Bossa Nova
Jazz
Stars Visit Brazil and Bossa Nova Conquers the U.S. Music Scene
Sérgio Mendes and Brasil 66
Adds Spice to the Waning Bossa Craze
Airto
Moreira, Flora Purim, Paulo Braga, and Naná Vasconcelos Brazilianize the 1970s Hot Jazz
Fusion Scene
Talking
Heads David Byrne’s Releases Beleza
Tropical in 1989
Lambada’s
Short-Lived Dirty Dancing Craze in 1989-1991
In
1999, 30 Years Past their Heyday, Tropicália and the Band Os Mutantes Are
Discovered in the U.S.
It’s
Women Singer-Songwriters Marisa Monte, Céu and Luisa Maita
Regular
or Recurrent Events that Sustain the Waves Across the U.S.
a) Los
Angeles-based Sergio Mielniczenko’s radio and internet programs, The Brazilian Hour and The Global Village (more than 35 years
on air)
b) University
of Florida Gainesville’s Brazilian Music Institute and Jacaré Brazil projects
c) Brazilian
classical and choro teachings at Berklee School of Music
d) Outstanding
presence of local and visiting Brazilian artists in world music concerts
offered in various cities, mainly the Boston, Chicago, Los Angeles, Miami, and
New York metropolitan areas
YouTube
Clips
Carmen
Miranda on That Night in Rio (1941): “Chica Chica Boom”
Laurindo Almeida and the Modern Jazz Quartet: “One-Note Samba”
Laurindo Almeida: “Claire de Lune” (Claude Debussy by the Beat of
Samba)
Frank
Sinatra and Antonio Carlos Jobim (1967):
“Corcovado”
Sérgio
Mendes (1966): “Mas Que Nada”
Rita
Lee, Caetano Veloso, Gilberto Gil & Tom Zé (1999): “Bat Macumba”
Marisa
Monte & David Byrne: “Waters of March”
Five
of the Most Informative and Influential Books
Published
in the U.S. on Brazilian Music
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